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(Appropriately, The Village Voice was ultimately responsible for the film’s latter-day re-evaluation, too.) Their efforts didn’t keep Cruising from being finished, but it did hit a brick wall critically and commercially, so there’s that. At the urging of Village Voice reporter Arthur Bell, folks tried sabotaging the production by pointing mirrors at the set from East Village rooftops they blew whistles and air horns on the ground within shouting distance of filming they figured out which apartments Friedkin planned on using and blared stereos in surrounding rooms. As Friedkin and his team attempted to film the movie, NYC’s gay community protested in force.
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Friedkin had already drawn fire for his depiction of gay men in his 1980 film adaptation of Mart Crowley’s play The Boys in the Band, and Cruising’s salacious content - about a serial killer targeting gay men in New York City’s leather subculture - didn’t inspire confidence.
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When William Friedkin announced his intention of adapting Cruising, a 1970 pulp novel by New York Times reporter Gerald Walker, activists in New York’s gay community rebelled. Life of Brian is on both Netflix and Amazon. The Passion of the Christ is on Amazon Prime. The Last Temptation of Christ is streaming on Netflix. Last Temptation remains the best of the ruckus-stirring Jesus films, which is why today it’s talked about with reverence instead of revulsion. The Last Temptation of Christ is just one of many movies about Jesus that’s ruffled Christian feathers - see also Monty Python’s comedy Life of Brian, similarly decried as blasphemous, and Mel Gibson’s The Passion of the Christ, which apart from being gorier than the average splatter film, also happens to be assertively anti-Semitic. Scorsese weathered the storm as only a guy who has spent his life wrestling with his Catholic identity through filmmaking could, which is why MCU partisans coming after him for his comments on “cinema” were little more than a blip on his radar. Once upon the late 1980s, Martin “Gangster Movies” Scorsese made one of his many enduring masterworks, The Last Temptation of Christ, and was rewarded for his efforts with death threats, accusations of blasphemy, and in 1988, a terrorist attack on a theater in Paris, which was set on fire by Catholic integralists while people sat inside and watched the film on screen. If you’re craving outcry and offense in cinema - or at least to see what’s been considered provocative and too hot for theaters in different eras - the films below are readily accessible.
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And it’s neither the most fascinating controversial movie worth streaming, nor the most controversial. The Hunt is one such case - briefly the center of a firestorm, now all but forgotten, and easily accessible. No one can tell if you’re at home on your own, watching movies that were picketed in theaters, booed at festivals, or pulled out of wide release because of the backlash. But part of it is just the quiet self-selection of streaming movies. Part of that is the inevitable process of time - yesterday’s content crisis is long forgotten because there are new outrages to navigate. For a while, it looked like The Hunt had no future.īut now, like so many other movies that were controversial when they first came out, it’s widely and easily available for streaming, without any associated protest or resistance. It’s amusing and a little ironic, given that Universal pulled the movie from its original September 2019 release date out of respect for the one-two tragedy of the Dayton and El Paso mass shootings, and out of fear of backlash after Donald Trump attacked the movie on Twitter. If you missed out on Craig Zobel’s deliberately provocative thriller The Hunt, which opened in theaters just as multiplexes and independent arthouse chains began shuttering, you’re in something like luck: Blumhouse put the film out on VOD as a stopgap measure, to reach an audience at home and under quarantine.